Reviews
The Guardian Review: The Experiment
“Technically, the show is impressive. The sound and lighting in particular is excellent, adding to a sense of dread and unspeakable, unknown horror – and the final guitar interlude performed entirely by…
Limelight Review: The Experiment
“The Experiment is a milestone on this journey into the unknown, and it is with pioneering productions such as this, that dare not to merely entertain us, but to challenge and confront…
Sydney Morning Herald Review: Calpurnia Descending
“The campy playfulness of the comedy descends into something darker, aided by imaginative audio-visual work from Matt Gingold. As rehearsals for the show within a show begin, the piece is catapulted into…
Realtime Review: Filament Orkestra
“With the passion of a technically gifted child, Gingold can play his instrument with an intuitive sense of how his abstract grid of light can be turned into a machine of beauty.…
Pillow of Waking Hours Review: Calpurnia Descending
“…Calpurnia unfolds through the mediated lens of cameras…a mix of live performances captured by several cameras and relayed live, pre-recorded elements, green-screen, and borderline psychedelic and hyperactive animation. The work of Matthew Gringold (AV) and…
Fjord Review: Zero Zero
“This work, three years in development, is beautifully stripped back. And it is in this peeled back state that clarity is seen. It is in the simple pendulum swing of a light…
MelbArtsFash Review: Zero Zero
“Inspired by ‘the liminal spaces between the visible and the invisible’, Zero Zero attempts to bring an aspect of the subconscious psyche into plain view, providing a space for the white noise…
Daily Review: Zero Zero
“Zero Zero is an absorbing puzzle of structure and feeling…We advance, one distinct movement after another, each like an abstract representation of a block of time, and each associated with a particular…
ABC Arts Review: Zero Zero
“What follows is an intensely meditative duet, heightened by Gingold’s percussive score and the low lighting. It moves from the quotidian to an evocation of the sacred.” Alison Croggon – ABC Arts
Sydney Morning Herald Review: Zero Zero
“Matthew Gingold’s sound compositions are sparse and otherworldly. Zero, Zero excels in moments of simple physical activity…the performers gradually forcing the movement to a point of grotesque shapes and excessive movement. Yap…