"This work, three years in development, is beautifully stripped back. And it is in this peeled back state that clarity is seen. It is in the simple pendulum swing of a light above Yap and Umiumare’s heads as they stood side by side...Simple shadow play dancing across the form, that gives the impression of altering both the perception and experience of time...The soundscapes created by Matthew Ginghold served as the final magnetic lure, and throughout the performance my eyes travelled between both dancers and Gingold, seated in the corner and lit by the glare of the computer screen."
Gracia Haby - Fjord Review - High Up In The Trees